1848-1935
French
Jean Beraud Galleries
Berauds father (also called Jean) was a sculptor and was likely working on the site of St. Isaacs Cathedral at the time of his sons birth. Berauds mother was one Genevieve Eugenie Jacquin; following the death of Beraudes father the family moved to Paris. B??raud was in the process of being educated as a lawyer until the occupation of Paris during the Franco-Prussian war in 1870.
Beraud became a student of Leon Bonnat, and exhibited his paintings at the Salon for the first time in 1872, however he only gained recognition in 1876, with his On the Way Back from the Funeral. He exhibited with the Society of French Watercolorists at the 1889 Worldes Fair in Paris. He painted many scenes of Parisian daily life during the Belle epoque, in a style that stands somewhere between the academic art of the Salon and that of the Impressionists. He received the Legion d honneur in 1894.
Berauds paintings often included truth based humour and mockery of late 19th century Parisian life. Along with frequent appearances of biblical characters in then contemporary situations. Paintings such as Mary Magdalene in the House of the Pharisees aroused controversy when exhibited because of these themes.
Towards the end of the 19th century Beraud dedicated less time to his own painting, but worked in numerous exhibition committees including the Salon de la Societe Nationale.
Beraud never married and has no children, he is buried in Montparnasse Cemetery beside his mother. Related Paintings of Jean Beraud :. | Parisienne Au Rond-Point Des Champs Elysees | After the Misdeed | The Soiree | the cycle hut in the bois de boulogne, c. | La Rue de la Paix | Related Artists:
Lodovico MazzolinoItalian High Renaissance Painter, 1480-1528
mikhail glinkaPeriod: Romantic (1820-1869)
Country: Russia
Born: June 01, 1804 in Novospasskoye, Smolensk, Russia
Died: February 15, 1857 in Berlin, Germany
Genres: Chamber Music, Keyboard Music, Miscellaneous Music, Opera, Orchestral Music, Vocal Music
ASAM, Egid QuirinGerman Baroque Era Sculptor, 1692-1750
Sculptor, stuccoist, painter and architect, son of Hans Georg Asam. After working with his father, he was apprenticed to Anton Faistenberger in Munich to learn sculpture. He presumably accompanied his brother Cosmas Damian Asam to Rome (1711-13), where he studied works by Bernini. In 1724 he became a valet and court stuccoist to the Prince-Bishop of Freising and in 1730 a valet to the Elector of Bavaria.